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“But I don’t like them to do that, Billy. They ought to stay dead till the play is done. When I see them smiling I feel as if—just as I would if you made fun of me when I cried for my mama,—it takes all the true out of the play.”,
CHAPTER VIII.—BETTY VISITS THE CITY OF HER DREAMS.,
Later in the evening, as Isobel moved about the drawing-room in a flounced white frock, her shimmering hair falling over her shoulders, and her dainty high-heeled silver-buckled shoes skimming the roses on the carpet, Moses’ eyes followed her in wonderment. Never before had he seen a creature so dainty, so airy, and so altogether like a princess. Betty was just plain Betty, straight hair plaited stiffly and tied with red ribbon, tanned face and hands, and big brown eyes “looking like they loved everybody.” But here was a girl who could turn disdainful hazel eyes on one and could make one feel like an ignoble worm. Somehow Moses liked feeling like a worm, Isobel Crump was so immeasureably above him that he might as well feel like a worm as like any other more noble inhabitant of this terrestrial globe.,
Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor.
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“This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.”,
That night when Mrs. Bennett went into the Fo’castle there was an unusual note in Billy’s voice.,
As ordered two of the posse were closing in from the west toward the rendezvous. A few more steps and the four met. Those who had been ordered to beat the mountain about the spring were waiting below; the fire had perfectly policed that territory.,
Moses’ face became as mournful as his music had been. It was as though he had suddenly realized that life was, after all, more serious than one suspects in one’s idle moments.
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On the morrow, before returning home, he made several purchases with the money his mother had slipped into his hand as she whispered, “Hev a good time, Mosey, but don’t fergit to say yer prayers reglar.”
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s1nay-Wong,
It’s a Quan-Yuan
“When I see Moses was still wearin’ his best Sunday coat an’ pants an’ tearin’ along on that cayuse like John Gilping, I come all out in goose-flesh, Ebenezer, till you’d think the merkery had fell clean down to zero.”
lzrm9-Xu,
Bingbing-Li
The work went on, each length at the first possible opportunity resuming its state of strict neutrality and refusing to be drawn into negotiations.
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Halin-Chen Response,
>The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear.
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